Total pages in book: 103
Estimated words: 94181 (not accurate)
Estimated Reading Time in minutes: 471(@200wpm)___ 377(@250wpm)___ 314(@300wpm)
Estimated words: 94181 (not accurate)
Estimated Reading Time in minutes: 471(@200wpm)___ 377(@250wpm)___ 314(@300wpm)
I typed baby doll—feedback—silk—night context and tried to ignore the fact that my mouth had gone dry.
Melissa clicked again. A teddy appeared—deep burgundy, cut high on the thighs, with a plunging neckline that extended nearly to the navel and thin straps that crossed over the back in an intricate pattern I recognized, with a lurch in my stomach, as vaguely reminiscent of rope. The fabric clung to the computer-generated body like a second skin, and the construction at the gusset—I could see it even in the mock-up—featured the same reinforced fabric, the same subtle architecture of stimulation hidden beneath the beauty.
“The Surrender Teddy,” Melissa said. “This one’s designed for a wife who’s learned a little more about what it means to belong to her husband. The cross-back detailing isn’t just aesthetic—each strap has a micro-tension feedback structure that keeps her thinking about discipline. When she moves, when she arches her back, when she pulls against the straps—she remembers.”
Click.
A bustier. Ivory satin with black lace overlay, boned and structured, cinching the waist and lifting the breasts into a presentation that was—I searched for a word that wasn’t obscene and couldn’t find one that was more accurate. The cups were half-cups, really, the kind that supported from below while leaving the nipples and upper swell of breast exposed, and the boning ran in vertical lines down to a point just above the hips, where garter tabs dangled, waiting to be attached to stockings that weren’t shown but were powerfully implied.
“The Surrender Bustier,” Melissa said. “This is the premium piece. Full friction-feedback suite in the boning itself. When she puts this on, she doesn’t just feel constricted”—she gestured at the cinched waist—“she feels held, contained. Our focus groups tell us that it activates the same neurological pathways as being physically restrained. She feels owned even when he’s not touching her.”
I was blushing so deeply by now that I could feel the heat in my ears. I kept my eyes fixed on my laptop screen, but the images from the presentation burned in my peripheral vision like afterimages from staring at the sun. My fingers moved over the keys in what I hoped looked like diligent transcription, but half of what I typed was nonsense—fragments and misspellings I’d have to clean up later, if I could bring myself to open this document ever again.
The warmth between my legs had come roaring back. Not faint this time. Not subtle. It was a steady, spreading heat that pulsed with each new image Melissa put on the screen, and I hated it—hated it with a ferocity that did nothing whatsoever to make it stop.
Click.
A garter belt set. Black lace, sitting low on the hips, with four wide straps descending to hold sheer black stockings that shimmered in the mock-up lighting. The panties that accompanied it were barely there—a wisp of lace connected by thin satin ribbons at each hip, designed to be untied. The model’s thighs, long and smooth and computer-perfect, seemed to glow against the dark lace.
“The Surrender Garter Set,” Melissa said. “The ties at the hips are functional, of course—the husband can undress her without removing the garter belt or stockings. She stays in the aesthetic he’s chosen for her even during intercourse. The visual continuity matters. Our research shows that men in authority-based relationships derive significant psychological satisfaction from the maintenance of presentation even during intimate acts. He dressed her. She stays dressed, on his terms.”
CHAPTER 4
Anne
I pressed my knees together under the table, thinking of Karen, the girl from the first video I’d had to watch, doing the same thing. I’d never tried it before, but I felt desperate to relieve some of the tension in my body. I squeezed my thighs hard. It didn’t help. If anything, the pressure made the sensation worse—a tight, liquid ache that I couldn’t shift away from no matter how I sat. I uncrossed my legs. Crossed them the other way. Typed garter—visual continuity—presentation maintenance and bit the inside of my cheek until I tasted metal.
Melissa paused before clicking to the final slide. Something in her expression shifted. I saw in her eyes a kind of anticipatory relish, the look of someone about to play a card they knew would land.
“And this,” she said, “is the piece I’m most excited about.”
Click.
The panties that appeared on the virtual woman on screen were white lace. Bridal white, delicate and intricate, with a scalloped waistband and a fit that looked somehow both demure and devastatingly provocative. They were beautiful—genuinely, artistically beautiful, the kind of garment that could have appeared in a fashion editorial or the highest-end kind of lingerie catalogue.
Except for the… opening.
It took me a moment to understand what I was looking at. The back of the panties—shown in a second image beside the first, the computer-generated model turned to present her rear—featured a cutout. Oval-shaped, framed by a border of the same delicate lace, positioned directly over the cleft of the buttocks. Not a torn seam, not a gap—a deliberate, carefully constructed opening that left the wearer’s most private area exposed while everything else remained covered.