Give In to Me – East Coast Mafia Read Online Marian Tee

Categories Genre: Alpha Male, Insta-Love, Mafia Tags Authors:
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Total pages in book: 78
Estimated words: 73233 (not accurate)
Estimated Reading Time in minutes: 366(@200wpm)___ 293(@250wpm)___ 244(@300wpm)
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I stop.

Because he’s looking at me, and the expression on his face is one I’ve never seen before.

It’s not the granite. It’s not the classroom mask or the composed blankness he wore in his office the day I told him about the alley. Something unguarded, caught between two things, and I realize with a flush that starts at my collarbone and climbs that I just delivered a passionate monologue about corn and cattle inventory to a man who ran a crime family and built a cybersecurity empire, and I didn’t pause for air once, and I called my father’s spreadsheet as evidence, and at some point during that speech I forgot to be intimidated by him.

I forgot he was Professor Salvatore. I was just Elsa, arguing about farms and laptops, and he was just the person on the other side of the desk who was wrong.

“I’m sorry,” I say quickly. “That was—”

“Don’t apologize.”

Two words. Quiet. The afternoon has deepened while we’ve been talking, and his hands are flat on the desk, long fingers spread, and I watch one of them curl inward. Just one.

“Your proposal has structural merit.” His voice has changed. Lower than lecture-voice, lower than the clipped academic tone he’s been using for twenty minutes. This is the voice from the office, from the door, from you’re wrong. “The modular approach is sound. The scalability argument is correct. I was testing whether you could defend it.”

“You were testing me?”

“I test all my students.”

“At golden hour? On a Thursday? While the building is empty?”

The silence that follows isn’t academic.

He holds my gaze across the desk. His office smells like it always does: old books and that subtle Italian warmth and the clean starch of his shirt. The building is quiet. So quiet I can hear the clock on his wall, which I’ve never noticed before, ticking with a patience that feels pointed.

My finger is tracing a circle on the arm of my chair. His eyes drop to it. Track the motion. Come back to my face.

“You should go,” he says. Third time he’s said this to me across two meetings in this office, and each time it’s meant the opposite.

“You keep saying that.”

“You keep not going.”

“Maybe I’m not very good at doing what I’m told.”

Something happens at the corner of his mouth. A ghost. A flicker. Not a smile, not even close to a smile, but the shadow of one, the place where a smile would be if this man ever smiled, and it’s the most beautiful thing I’ve ever seen and it’s gone before I can hold it and my whole chest aches with the losing of it.

I stand up. I gather my proposal, his red handwriting facing up, and I tuck it into my bag, and I’m turning toward the door when he says:

“The spreadsheet.”

I stop. “What?”

“Your father’s spreadsheet. The one from 1998.”

“What about it?”

“Does it work?”

I turn back. He’s still sitting behind his desk, and there’s something in his voice that isn’t about spreadsheets at all.

“It keeps track of everything on the farm,” I say. “Every seed order, every equipment repair, every calf born in the spring. It’s clunky and the formatting is terrible and the formulas break if you look at them wrong. But yes. It works.”

“Good.” He stands, and for a moment his face is half in shadow, half in amber, and I can’t move. “Build that. Not the enterprise model. Build the thing your father would actually use.”

He’s giving me real advice. Good advice. Advice that means he listened to every word of my rant about corn and cattle, and somewhere beneath the testing and the granite and the Miss Lively, he heard me.

“Thank you, Professor.”

“Luciano.”

The word drops into the room and the clock on the wall keeps ticking and my circle stops and my lungs stop and the air holds us both very still.

He said his name. He offered it. Not Professor Salvatore, not the title and the barrier and the formality that keeps this thing between us inside its container. His first name, in his own voice, in the quiet of this emptying building.

“I should go,” I whisper.

“Yes.”

Neither of us moves.

The afternoon has deepened toward copper, and his face is close. I don’t remember him coming around the desk. I don’t remember the distance between us closing, but it’s closed, and he’s standing in front of me, and he’s close enough that I can see the scar on his temple and the exact darkness of his eyes and his jaw gone tight, that muscle, and his hands are at his sides and they aren’t relaxed.

“Elsa.” My name in his mouth. The way the vowels open. The Italian softening the L. No one has ever said my name like that.

I look up at him. I’m shaking. Not with fear. With the sheer physical reality of standing this close to a man I’ve wanted from such a hopeless distance for so long that the closeness itself feels like something my body doesn’t know how to process.


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